2007 New World Stage International Performance
 
Harbourfront Centres inaugural New World Stage International Performance 
ushers in annual series with 17 significant works
 
Toronto, December 5, 2006Harbourfront Centre is pleased to announce our 
inspired lineup for the inaugural New World Stage International 
Performance series, running January 24 through June 10, 2007.  This 
dynamic, world-class, signature programme presents a new, contemporary 
format featuring 17 productions, encompassing multiple performance 
disciplines including theatre, dance, music, cabaret and more. (A brief 
description of series productions follows this release.)
 
Harbourfront Centres Director of Performing Arts and New World Stage 
Artistic Director, Tina Rasmussen, delivers a thoughtful programme 
intended to animate Toronto and Harbourfront Centre this winter and 
spring, by presenting daring productions, innovative artists and 
companies, representing Australia, Belgium, Brazil, China, England, 
France, Halifax, Norway, Poland, Toronto, the U.S. and Vancouver. 
Performances take place at Harbourfront Centres intimate facilities: the 
Premiere Dance Theatre, the Studio Theatre, the Brigantine Room and the 
newly named Enwave Theatre, providing up close and personal exchanges 
with exciting international artists. In addition, two performances take 
place in site-specific, downtown Toronto found spaces, one in which a 
bus delivers ticket-holders to the designated performance site.
 
Ms Rasmussen says, As we build on the heralded foundations of two 
Harbourfront Centre signature programmes, the popular biennial World 
Stage theatre festival and the lauded International Dance season, New 
World Stage brings together the best in international contemporary 
performance from all disciplines.  The series offers a culturally 
curious public performances running over a six-month period rather than 
in a festival model to encourage a commitment to multiple works over a 
manageable period of time. Offering audiences diverse works of scale, 
culturally relevant, significant, unique, innovative and imaginative, 
have been the underlying principles in programming this now annual 
series.  Ms Rasmussen adds, This programme allows you to sample the 
classics transformed, new trends in performing arts, emerging genres and 
artistic vocabularies, not to mention locally engaged and informed work, 
as Harbourfront Centre continues to bring the world right to your 
doorstep with this accessible and affordable line up.
 
New World Stage performances begin January 24 with Mabou Mines 
DollHouse, a not-to-be-missed transformation of Ibsens classic, A Dolls 
House in which gender inequities are underlined by a cast of little men 
performing opposite intentionally tall women.
 
Other highlights include unveilings of three Harbourfront Centre Fresh 
Ground commissions, and world renowned director Peter Brooks triumphant 
return to Toronto.
 
This edition of New World Stage converges with Luminato, Torontos 
Festival of Arts and Creativity, June 1-10 with a number of leading edge 
international performances including Risk Everything (TR Warszawa), Back 
Home (Urban Theatre Projects) and Shen Wei Dance Arts(China/USA). As a 
finale for New World Stage and the welcoming social hub for Luminato, 
the Spiegel Show takes over the Spiegeltentntavern.  
 
Luminato, Torontos inaugural multidisciplinary arts festival, connects 
the creative spirit to every corner of the city for 10 inspiring days 
with more than 90 events in venues and locations citywide. Watch for 
exciting details and updates in the New Year.
 
This series offers flexible ticket package opportunities, with a number 
of imaginative Harbourfront Centre suggested combinations to guide 
patrons in making tailor made experiences including Backyard Adventures, 
Foreign Perspectives, Made in Canada, Living on the Edge and, Intimate 
Encounters.
 
Harbourfront Centre patrons can now redeem New World Stage Passports, a 
unique gift certificate/credit offer, in order to facilitate their 
tailor-your-own-experiences. Packages go on sale December 19, single 
tickets on sale January 2, 2007. Package offers include 10, 15 and 30 
percent discounts with assigned, value-added benefits per package. For 
tickets and information call 416-973-4000 or online 
www.harbourfrontcentre.com/nws .
 
Westin Harbour Castle is the official host hotel of New World Stage.
New World Stage is supported by Ontario Cultural Attractions Fund, 
Luminato Festival of Arts and Creativity 2007, Canadian Heritage, and 
Foreign Affairs and International Trade Canada.
 
 
 
-30-
 
Media Contact:
Bill Bobek
Media Relations
Harbourfront Centre
416-973-4428
www.harbourfrontcentre.com
 
 
 
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THE NEW WORLD STAGE PARTICIPANTS
 
 
Mabou Mines DollHouse
Mabou Mines (USA)
January 24-January 28
January 30-February 4, Premiere Dance Theatre
CANADIAN PREMIERE
 
Mabou Mines transforms Henrik Ibsens classic bourgeois tragedy, A Dolls 
House into high comedy with deep bite, giving it a vanguard makeover 
with funhouse twists, visual magic, and barbed satire, turning the 
mythic feminist anthem on its head.
Last seen in Toronto presenting their all-female version of King Lear, 
Mabou Mines turns this classic into the must-see event of the season. 
Toying with the themes of gender roles, power and scale, director Lee 
Breuer brilliantly casts little people in the male roles while the women 
are all close to six feet. Nothing characterizes Ibsens patriarchy more 
clearly than the image of these little men dominating and commanding 
women nearly twice their size.
 
"...grabs Henrik Ibsen by the skin of his Norwegian neck and shoves him 
into the scalding populist stew of melodrama, sex, power and 
exploitation." - The Chicago Tribune
 
...its only a rehearsal
zero visibility corp. (Norway)
February 7-10, Enwave Theatre
CANADIAN PREMIERE
 
its only a rehearsal is choreographer Ina Christel Johannessens powerful 
and physical duet for a man and a woman. Based on Ovids myth of Actaeon 
and Artemis, the couples relationship is revealed to us through raw 
physical expression. The dynamic shifts between them as they rub and 
press, push and pull, back and forth  as the physical
tension mounts in overtly sexual and sensual ways. An intimate story of 
reward and punishment, the audience becomes the voyeur in this 
incredibly sexy, potentially risky, sometimes funny love story about the 
inherent connection between the watcher and the watched, and the fine 
line between desire and obsession.
 
Startling sensual 21st century motion. This is no rehearsal. Its the 
real deal. - The Guardian
 
 
Griots t Garage: A Musical History of the African Diaspora
Dennis Rollins (UK)
February 10, 11 & 13, 14, Studio Theatre
NORTH AMERICAN PREMIERE
 
Griots t Garage is one mans musical journey inspired by 500 years of 
Afro-centric music. Part tribute, part documentary and part concert, 
Dennis Rollins virtuosic performance is intensified by live visual 
projections that mix archival film with
live-on-the-floor footage. The piece transports us from the rhythms of 
16th century West Africa, through the development of blues and jazz, and 
onwards to the funky, hip-hop and garage grooves of today. This 
internationally-renowned jazz artist is celebrated for his versatility 
and unique approach to both performance and the often underrated 
trombone.
 
kuumba
Griots t Garage is a highlight of Harbourfront Centre's Kuumba 
programme, part of our month long celebration of black history which 
also includes performances by COBA (Collective of Black Artists) Inc., 
and Obsidian Theatre Company.
 
 
Aalst  a true story
Victoria (Belgium)
March 14-17, Premiere Dance Theatre
 
This riveting piece, from renowned theatre company Victoria, examines a 
crime so heinous it forever tainted the name of the town in which it was 
perpetrated, Aalst, Belgium. Kathy and Kurt check into a hotel with 
their two children, a few days later
police find both children dead by the hands of their own parents Aalst 
is faction theatre, a mixture of fact and fiction, based on reality in 
which statements and interviews are reproduced exactly but to which new 
and fictional elements are also added. Director Pol Heyvaert based Aalst 
on newspaper articles and a national TV report - 70% of what you see 
performed on stage is verbatim of the trial.
 
Aalst is about death, but it is also about love, and the way in which 
the local community and the Belgian legal system deal with it. Universal 
and close to home.
 
an historical event a production to cherish - De Tijd
 
 
Solo  Le doute mhabite/the doubt within me
Compagnie DCA Philippe Decoufl (France)
March 20-24, Premiere Dance Theatre
CANADIAN PREMIER
 
Internationally known as the choreographer of the opening ceremonies of 
the 1992 Winter Olympics in Albertville, this solo piece takes a 
departure from Decoufls grand scale works to a more intimate experience, 
reminiscent of an evening of home movies.
 
Taking a courageous leap into the shadowy waters of his memory, European 
superstar choreographer Philippe Decoufl shares with us a self-portrait 
that is hesitant, fragile and poignant. Using a series of multimedia 
effects, this camera danseur interacts
with himself on screen through real time projections, live music and 
simple storytelling techniques, presenting a nostalgic glimpse into his 
life as an artist and human being.
 
 
Particularly in the Heartland
The TEAMTheatre of the
Emerging American Moment (USA)
March 28-April 1, Enwave Theatre
 
Visit a Kansas where parents vanish, aliens grow in cornfields, New 
Yorkers fall
from the sky, and dead presidents stop by for Christmas dinner. The 
three Springer
children find themselves suddenly alone after a tornado, or was it an 
alien invasion?
Or maybe The Rapture? The TEAM is the Theatre of the Emerging American 
Moment, an NYC-based devised theatre company that creates new work to 
dissect and celebrate the experience of living in the world today. 
Loaded with TEAMs signature style of aggressive athleticism and 
exuberant theatricality, Particularly in the Heartland is a new play 
about losing sight of America, and trying to fall back in love with it.
 
fizzes with vivid imagery, intellect, and mischief ...life affirming 
stuff, and theatre to cherish." - Metro
 
As part of their visit to Toronto, TEAM will lead the first ever 
HATCHLab, giving local performance creators the opportunity to explore 
the companys unique devising process. Contact 
hatch@harbourfrontcentre.com for updated information about the first 
HATCHLab workshop.
 
 
Static
Expect Theatre/Spark Collective (Toronto)
March 28-April 1, April 4-8, Studio Theatre
WORLD PREMIERE
 
What is it like to live without fear? In Static, diverse artists explore 
our deepest fears 
death, rejection, intimacy, loss and the unknown through a series of 
theatrical
vignettes and interactive installations. The grounds of Harbourfront 
Centre serve
as the backdrop for this one-of-a-kind event as you are escorted through 
a theatrical
experience incorporating drama, light, surround sound, dance, video and 
opera  all via
MP3 player.
 
...all hail Laura Mullin and Chris Tolleyenergy, imagination and style 
like theirs are always welcome. - Toronto Star
 
 
April 3- 5, Double Bill, Enwave Theatre
Two compelling performers share the stage in an evening of
storytelling  reflections of moments in time as told through movement.
 
like an idiot
Cristina Moura
(Brazil)
 
Cristina Mouras like an idiot is a powerful exploration of isolation and 
difference.
Her idiosyncratic movement style and often humourous narrative reveals 
the universal
experience of being an outsider. Set to music ranging from Mozart to 
Lauren Hill, Moura's work is emotional and political, deceptively 
accessible and funny, as well as poignant.
 
"...an inner landscape of dancing with one's self-funny, physical, 
political, impulsive." -  CulturalAffairs.org
 
The Passenger
Sarah Chase Dance Stories
(Hornby Island - Vancouver)
 
Exceptional Canadian dancer-choreographer-storyteller Sarah Chase uses 
movement, music and text to communicate memories that cannot be 
described with words alone, turning the simplest image into pure beauty. 
In The Passenger, she creates a portrait
of two distinct periods in time, connected by location and personal 
memories of Toronto.
 
one is seduced by the luminous presence, complete and confident, of this 
solo performer - La Presse
 
 
Revisited
2b theatre company (Halifax)
April 4-19, York Quay Centre
*Limited Capacity*
...gorgeously elegant in its simplicity, with the lightness and 
luminescence of a soap bubble. - NOW Magazine
 
A man and an audience sit around a large wooden table. The man weaves a 
story of a town from the fabric of his memory. He conjures characters 
from the town, as he revisits his life in a search for deeper meaning. 
The table serves both as the stage and
as a shared space that invites connection and evokes community. 
Revisited is inspired by the works of great early American writers, 
including Willa Cather, Walt Whitman, Edgar Lee Masters, and Thornton 
Wilder. It is a story of love, loss, and all the details in between - an 
exploration of the divine inherent in the trivial, and the eternal 
inherent in communion.
A Harbourfront Centre co-production
 
 
Unbound
Wen Wei Dance (Vancouver)
April 17-21, Premiere Dance Theatre
A co-presentation with Danceworks
 
A child of Chinas Cultural Revolution, choreographer Wen Wei Wang brings 
a provocative, contemporary perspective to reflect on the ancient custom 
of binding womens feet in pursuit of status and an impossible erotic 
ideal. Weaving traditional
Chinese influences with modern practice, Wang delivers an intense and 
stylish exploration of beauty, power, and gender. Unbound transcends its 
multiple cultural origins to unravel the universal themes of sexuality, 
emotion and human relationships.
Unbound is a co-production of The CanDance Network Creation Fund, Canada 
Dance Festival, Dancing on the Edge, Harbourfront Centre, National Arts 
Centre, The Brian Webb Dance Company, and LAgora de la danse in 
collaboration with Danse Danse.
 
A class act of style and imagery thoughtful, polished work. - The Globe 
And Mail
 
 
Sizwe Banzi est mort/Sizwe Banzi is Dead
Bouffes du Nord (France)
April 18-22, Enwave Theatre
 
Created at a time when it was required that every black South African 
citizen over the
age of sixteen carry an identity book, this Apartheid-era classic, 
devised by Athol
Fugard, John Kani, and Winston Ntshona, continues to resonate 35 years 
later.
In a triumphant return to Toronto, renowned director Peter Brook 
continues his investigation of the role of theatre in political 
situations of repression, focusing on themes connected with identity, 
humanity, truth and survival. This engaging and humourous production of 
beautiful simplicity pushes us to contemplate the philosophical 
question: What is a man?
 
A joyous hymn to human nature. -  The New York Times
 
*in French with English surtitles
With the generous support of Julia and Robert Foster, Marcia and Henry 
Blumberg, and the Consul General of South Africa
 
 
Bridge Of One Hair
Jumblies Theatre (Toronto)
April 26-29, York Quay Centre
WORLD PREMIERE
 
Jumblies Theatre is the catalyst for this phenomenal three year project 
with multiple
communities in Central Etobicoke. An original musical score by renowned 
composer Alice Ping Yee Ho weaves together a performance that draws on 
Somali, Celtic, Afro-Caribbean and First Nations stories; 
locally-generated imagery and text; rituals of tea-drinking; and poems 
by Hawa Jibril and Duke Redbird.
 
Bridge of One Hair reaches back through time and around the world as it 
conveys the story of a neighbourhood and its inhabitants. The 
performance features many community members of all ages alongside 
diverse actors and musicians, including VIVA! Youth
Singers, the Jubilate Singers, Somali singer Faduma Nkruma and others. 
In addition to
the performance, the presentation includes an interactive tea-room.
 
 
Zaryzykuj Wszystko/Risk Everything 
TR Warszawa (Poland)
June 3-10, A gritty location in downtown Toronto
*in Polish with English surtitles
CANADIAN PREMIERE
 
Produced by Luminato and Harbourfront Centre
 
Prolific Toronto playwright George F. Walkers characters are inept and 
damaged, seemingly belched up by the decaying city. Polish master 
director, Grzegorz Jarzynas freewheeling, multimedia reinvention of 
Walkers 1997 piece captures the world of these addicts, prostitutes and 
petty criminals. Using film and TV clips, blasts of pop music, and dry 
humor, Jarzyna mixes a medley of styles. The city itself acts as a 
backdrop to the play, to the point where one can't always tell whats 
real and whats not; forcing the audience to consider (as the characters 
do) which reality is ultimately preferable.
"(an) amped-up, cartoonish exaggeration of Walker's sardonic yet 
essentially realistic thriller family drama." - The New York Times
 
Back Home
Urban Theatre Projects (Australia)
June 4-10, Meeting Place: York Quay Centre
NORTH AMERICAN PREMIERE
Produced by Luminato and Harbourfront Centre
 
The audiences journey begins on a bus ride to an undisclosed Toronto 
back yard" for a
gathering that reunites four friends, all from different cultural 
backgrounds, intended to
celebrate old times. We bear silent witness to their volatile world as 
the night unravels in
a litany of shattered dreams. Bristling with explosive physicality, this 
is a deeply emotional story about the characters coming to terms with 
their past and facing up to their future, a timely and ultimately 
life-affirming project unlike any other. Urban Theatre Projects (UTP) 
creates distinctive new theatre works using a process of dialogue 
between contemporary theatre practice and diverse communities.
 
For this project Harbourfront Centre and UTP work with Toronto 
communities to tap into
local concerns around themes of leadership, spirituality and issues in 
urban society.
 
(i)t is fiction but Back Homes deep and extraordinary links to reality 
create a brutal,
evocative and life-changing event. -  Sydney Morning Herald
Produced by Luminato and Harbourfront Centre
 
Rite of Spring & Re
Shen Wei Dance Arts (China/USA)
June 6-9, Premiere Dance Theatre
CANADIAN PREMIERE
Produced by Luminato and Harbourfront Centre
Wonderfully conceived, inventive, overwhelming and Languid and tranquil, 
startling and thrilling, the works of Shen Wei Dance Arts integratea 
variety of influences - colour, lighting, visual arts, music, theatre, 
and dance from both
East and West - with astoundingly original results. Based in New York, 
Shen Wei takes inspiration from the bruising clash of cultures that is 
the new China, bringing lyrical composure and harmony, coupled with 
intense energy to his unique choreographic voice. From the disarmingly 
casual spiraling movement of his interpretation of Stravinskys The Rite 
of Spring to the meditative geometric patterns of the Tibetan inspired 
Re, Shen Wei and his dancers bring music to life.
"wonderfully conceived, inventive, overwhelming and delicious, 
delightful to the senses and spirit-lifting." - Dance Magazine
 
The Spiegel Show at the Spiegeltentntavern
June 1-10, York Quay Centre
Produced by Luminato and Harbourfront Centre
*Look for Spiegeltentntavern programming throughout the summer.
WORLD PREMIERE
 
Ladies and Gentlemen, step right up! Burlesque showgirls, acrobats, 
aerialists,
eccentric dancers, divine divas, and a whole host of specialty acts of 
the Nouveau Varit
make up the fabulous Spiegel Show! The occasionally hilarious, sometimes 
poignant
and always sexy manifestation of the creative spirit of Toronto, The 
Spiegel Show brings you a cornucopia of tricks and turns representing 
the distilled essence of Toronto's cultural underbelly.
 
Designed in Belgium in the 1920s this nostalgic traveling wooden 
circular dance hall
acts as the finale for New World Stage and the unique social hub for 
Luminato, Toronto
Festival of Arts & Creativity. Come experience a cozy cabaret in this 
tent of mirrors where old world charm meets new world delights!
 
 
Truedeau: Long March/Shining Path (Toronto)
April 14, Enwave Theatre
One Night Only! Free Event
A project of Harbourfront Centre's fresh ground new works.
A Special Sneak Peek at the new opera from creative team D.D. Jackson 
(composer) and George Elliott Clarke (librettist), this staged recital 
gives audiences a rare glimpse into the process of opera in its early 
stages, before its ultimate premiere.
This thrilling new musical work is a meditation on the multicultural 
Trudeau, the man who declared himself a 'citoyen du monde,' who broke 
bread with Mao Zedong, who shouted "Viva, castro!' and lived out the 
multicultural dream he loved in the hotbed that was Montreal.
 
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Harbourfront Centre Suggested Packages
Intimate Encounters
Get up and close and personal
with these solo performances, or
performances in intimate spaces
zero visibility corp.
Griots t Garage
Philippe Decoufl
Cristina Moura/Sarah Chase
Revisited
The Spiegel Show
 
Backyard Adventures
Extraordinary performances
in unexpected places
Static
Revisited
Bridge of One Hair
The Spiegel Show
Risk Everything
Back Home
 
Foreign Perspectives
Unconventional remakes,
deconstructed classics, and
stories offering unique glimpses
into other dimensions
Mabou Mines DollHouse
zero visibility corp.
Griots t Garage
Sizwe Banzi is Dead
Risk Everything
Shen Wei Dance Arts
 
Made in Canada
The true north, strong and free
Cristina Moura/Sarah Chase
Static
Revisited
Bridge of One Hair
Wen Wei Dance
The Spiegel Show
 
 
*add the must-see
launch to the series,
Mabou Mines DollHouse
to any of the following to
complete your package!
*And check out Trudeau
for FREE
 
Box Office 416-973-4000 www.harbourfrontcentre.com/nws
 
 
Desire
Is desire by its very nature unattainable?
What are the objects of your desire?
What are the subjects?
From January to May 2007 Harbourfront Centre wants to satisfy your 
cultural desires.
Culture you have longed for.
 
DESIRE is part of an ongoing exploration of ideas based programming at 
Harbourfront Centre.,Harbourfront Centre questions all that you desire.
            

 

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